I’m Reading At Featherless With Dana Johnson And Michelle Joyner At Stories Books And Cafe June 8th 7pm

Sometimes I say that I am a professional bisexual and other times I say I am “straight for pay”. Only it seems I am becoming straight FOR FREE with increasing regularity and part of me wonders if I should be alarmed!

M. Jackalinski’s color test for the short story “Professional Bisexual” That’s me and Miller riding the bus to Occupy. We are professional (and lifestyle) monsters, really.
My first “not gay” reading on Friday, June 8th pretty much confirms this! I mean, don’t get me wrong, Featherless co-curators Andrea Lambert and Katie are pretty gay (in fact I heard they’re actually GAY TOGETHER!) but still it is a bit thrilling to read at something that is not explicitly HOMO. I’m also thrilled to have the opportunity to read with two really amazing women, Michelle Joyner and Dana Johnson. I’ve been busy working on a chapbook entitled “Professional Bisexual” that I hope to have ready by then. I’m collaborating with some really amazing illustrators including Tara Avery, M. Jackalinski and Amie Wee who is also doing the layout and cover design. I’ve wanted to collaborate with all three artists for years and am thrilled to be doing so now.

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WANDERLUST writers of latina/o and queer extractions HIGHWAYS PERFORMANCE SPACE

My dear friend, Micha Cardenas, is doing a reading from her book, The Transreal: Political Aesthetics of Crossing Realities, Fri and Sat at Highways with a great group of performers. Raquel Gutierrez, another of my favorite queer writers and performance artists is curating this amazing evening of queer latin voices.
CHARLES RICE-GONZALEZ (April 21 only)
SUSANA COOK
MARCELA FUENTES
RAFA ESPARZA + LUIS FLORES
FRANK GALARTE
MICHA CARDENAS
RAQUEL GUTIERREZ

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Andrea Lambert, Debra Simone & Ofelia Del Corazon at homo-centric at Stories Books & Cafe

I’ve spent so much time and energy publicizing, distributing, and writing about the artwork of those I admire but I often pull this self defeatist stunt where I only tell people about my readings a day or two before hand. That way, if the person says they can’t come, it’s not because they don’t care but because they were too busy, and I can save myself from the humiliation of rejection. Fortunately I’ve come to realize this this misguided little selfdefense mechanism no longer serves me.

A friend of mine (for whom I had just organized a reading) confided in me that there was a time at which she only organized shows & readings for others. She told me that night as we sat drinking Hefeweizen in trendy brewery in Oakland that I had “done my time” as an arts programmer and challenged me to start focusing on my own work. Her words were very inspring particularly because she is my favorite writers on contemporary feminist theory and that she didn’t write her first book (which is pretty much required reading for anyone with any interest in feminist studies and contemporary queer theory) until she was in her forties.

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